#heavyMetal

Progressive Rock Journal

@progrockjournal.bsky.social

26 minutes ago

[News] Weedian releases the new compilation “The Best Releases of March 2026”
@weedian420.bsky.social
progrockjournal.com/news-weedian...

#PRJ #Weedian #Compilation #March #Thebest #HeavyMusic #Underground #HeavyRock #Stoner #Doom #HeavyMetal #MusicNews #Music

@lordjubilus.bsky.social

32 minutes ago

Rat Queen - Castle Rat
#ratqueen #castlerat #rileypinkerton #swordandsorcery #heavymetal

Jesús

@jesusdr.bsky.social

49 minutes ago

RAM Forced Entry (full album) YouTube video by Heavy metal hammer

#RAM
#ForcedEntry
#HeavyMetal
🤘🏻🤘🏻

Nightshade

@nightshade-magazin.bsky.social

54 minutes ago

BRAINSTORM "Für uns ist es einfach Metal!" | Interview @ Kulttempel Oberhausen YouTube video by Nightshade

BRAINSTORM "Für uns ist es einfach Metal!" | Interview @ Kulttempel Oberhausen - watch here:
youtu.be/Nc__7qdmrAA?...

#brainstorm #metal #heavymetal #powermetal #kulttempel #oberhausen #interview #videointerview #nightshade #nightshadetv #nightshademagazin

Master Rock

@masterrock.bsky.social

1 hour ago

DWARVES lanzarán un nuevo álbum, "Jenkem", el 5 de junio.
#Rock #HeavyMetal

OUTOFSTEPDOTNET

@outofstepdotnet.bsky.social

1 hour ago

MTV News Week In Rock “Death Metal” 1991. Source: Ytube. #outofstepdotnet #deathmetal #heavymetal #grindcore #thrashmetal #obituaryband #malevolentcreation #napalmdeath #entombed #morbidangel #carcassband

HamiltonsLive

@hamiltonslive.bsky.social

2 hours ago

INFERI – Heaven Wept Review For a band that takes its namesake from a Harry Potter reference (ew), Nashville’s INFERI are infinitely more brutal than its original inspiration. Blending searing speed, flashy technicality, and death metal intensity, INFERI have been at the forefront of tech death for over fifteen years now, and their latest release, Heaven Wept, comes after a five-year gap. With such a chasm between their releases, is Heaven Wept a reformation for the band or a refinement of their sound? Heaven Wept establishes itself quickly, and the band sounds tighter than ever. Immediately apparent is Stevie Boiser’s vocals, which flit from screeching highs, boastful mids, and throat-wrinkling lows. Boiser doesn’t seem to have a weak point when it comes to his capabilities, and he leads tracks along like a malicious conductor (not unlike Trevor Strnad of The Black Dahlia Murder, RIP). For INFERI, the technical prowess expands beyond just the instruments, and the vocals on display across Heaven Wept are bound to make an impression. Not to be overtaken, guitarists Malcom Pugh and Sanjay Kumar showcase their axe mastery throughout. A majority of the tracks feature individual solos by each, and none of them overstay their welcome. If they aren’t competing in shredding territory, they work in tandem on solos in the remainder of the songs. Spencer Moore’s drums round out INFERI’s sound, and in a rare turn, they sound surprisingly natural for a tech death band. Perhaps the melodic aspect of INFERI’s core sound helps keep Moore’s drums from becoming robotic, and his playing spans core stylings, technical blowouts, and military marches, never staying in one space for too long. Heaven Wept by Inferi While Heaven Wept is by no means a stylistic change-up from their previous work, the latest record utilizes more dissonant harmonies and tends to feel more ethereal as a result. Combine that with some symphonic backing, and you have an atmospheric album without relying on overly long instrumental passages that break up the pacing. INFERI takes the melodic part of technical melodic death metal very seriously, and Heaven Wept is surprisingly catchy and approachable, while still being so dense that I imagine listeners will discover new secrets after numerous listens. “The Rapture of Dead Light” calls to mind melodic death metal masters The Black Dahlia Murder while combining some light core elements (don’t worry, INFERI is not a deathcore band now). The band smartly uses crushing breakdowns but only at a minimum, and where they have the most impact. Heaven Wept doesn’t waste a second, coming in at eight tracks and under forty minutes, the album is pure face-melting goodness throughout. Every band member lays it all out on each song, and I wouldn’t call a single one a miss. The title track is a stylistic standout, slowing things down with a lumbering staccato riff that worms its way throughout the song. Boiser’s vocals follow along with the riff, punctuating the melody while also adding a bit of slam to Heaven Wept’s complex sound. “Of Rotted Wombs” is oozing with atmosphere, with a backing organ, a choir, and wailing guitars that pull emotion from every string. It is a track that feels huge without relying on a bunch of pomp and circumstance. Despite the inclusion of the aforementioned organ and choir, they are a small part of the song and only appear in the background. The incredible solo from Kumar in the back half of the track ties a bow on an album highlight. Heaven Wept could very well be INFERI’s best work yet. Dripping with style and substance, as well as piling on the atmosphere without resorting to trite methods or wasteful interludes, this is an album that is solid throughout. It isn’t without its flaws; the low end is basically non-existent, and even the band plays live without a bassist. There are occasional bass flourishes on the album that remind me of Job for a Cowboy’s Sun Eater at times, but they are few and far between. The album also lacks the instrumental flair of 2018’s Revenant, and fans looking for a return to that record will be disappointed. Overall, these are nitpicks for an album that nails everything it sets out to do and then some. INFERI have shown that they can stand tall as the masters of modern technical melodic death metal without losing sight of what brought them there in the first place. Heaven Wept epitomizes the idea of metal at every turn and will likely have something to offer any earnest listener. --- Rating: 4.0/5.0 DR: 4 | Format Reviewed: 320 kbps mp3 Label: The Artisan Era Websites: Instagram | Bandcamp Releases Worldwide: April 10th, 2026 The post INFERI – Heaven Wept Review appeared first on Angry Metal Guy.

Angry Metal Guy 🤘 INFERI – Heaven Wept Review: For a band that takes its namesake from a Harry Potter reference (ew), Nashville’s INFERI are infinitely more brutal than its original inspiration. Blending searing speed, flashy technicality, and… LinkInBio for More 🤘 #AngryMetalGuy #HeavyMetal #Metal

𝕶𝕸ä𝕹𝕽𝖎𝖋𝖋𝖘

@kmanriffs.bsky.social

5 hours ago

2⃣0⃣2⃣6⃣: THE UPCOMING TERROR ⚔️
➡️June 12th, 2026⬅️

KHEMMIS - Khemmis 🇺🇸⚛️

5th album from Denver, CO, U.S Doom/Heavy Metal outfit⚛️

BC➡️khemmis.bandcamp.com/album/khemmi... ⚛️

#Khemmis #NuclearBlastAus #DoomMetal #HeavyMetal #TheUpcomingTerror26 #KMäN

Bing from Kiddy

@bingfromkiddy.bsky.social

5 hours ago

track from #PhilCampbell Old Lions Still Roar. Album of the week is a Motörhead four piece Classic, the Sensational Rock 'n' Roll #motorhead #motörhead #motorheadforlife We have our usual #NWOBHM #thrash #thrashmetal #punk #punkrock #heavymetal #metal #heavyrock #Karaoke #classact & the .....

Pro-Metaller

@prometaller.bsky.social

6 hours ago

#Playlist🎧 on my way home

Sacrilegium 🇵🇱
Album: Wicher #BlackMetal
Released: April 11th, 1996

Iron Maiden🇬🇧
Album: Seventh Son of a Seventh Son #HeavyMetal
Released: April 11th, 1988

Master Rock

@masterrock.bsky.social

7 hours ago

Judas Priest - Lightning Strike (Official Video) YouTube video by JudasPriestVEVO

#JudasPriest "Lightning Strike"
#HeavyMetal #Music #Musica

Le son du vortex - Radio alternative

@vortexradio.bsky.social

7 hours ago

Now Playing: Led Zeppelin - Whole Lotta Love (Remaster)

🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Led Zeppelin - Whole Lotta Love (Remaster)

▶️ Écouter / Listen : VorteX [Radio]

💬 Join us on Discord

#VortexWave #LedZeppelin #Rock #HeavyMetal #70s

Master Rock

@masterrock.bsky.social

8 hours ago

#Sepultura está preparando un álbum en directo para conmemorar su última gira.
#HeavyMetal

HamiltonsLive

@hamiltonslive.bsky.social

10 hours ago

Tuesday The Sky's Dennis Leeflang drops a drum sesh for "Set Fire to the Stars"! Taken from 2025's "Indoor Enthusiast". Buy/stream here: https://www.metalblade.com/tuesdaythesky/

Metal Blade Video 🤘 Tuesday The Sky's Dennis Leeflang drops a drum sesh for "Set Fire to the Stars"!: Taken from 2025's "Indoor Enthusiast".
Buy/stream here: https://www.metalbla LinkInBio for More 🤘 #MetalBladeRecords #HeavyMetal #Metal

HamiltonsLive

@hamiltonslive.bsky.social

10 hours ago

Tuesday the Sky - Set Fire to the Stars (Drum Playthrough) Buy here: http://www.metalblade.com/tuesdaythesky Dennis Leeflang performs "Set Fore to the Stars" from the "Indoor Enthusiast" album. "Indoor Enthusiast," the outstanding third record from TUESDAY THE SKY, the instrumental-driven project from guitarist Jim Matheos, arrived on Friday, October 24, 2025 via Metal Blade Records! TUESDAY THE SKY has been described as a "beautifully weird solo project" by Sonic Perspectives, while Dead Rhetoric dubbed it a "kaleidoscope of atmospheric songs." With eleven songs of pure Matheos-patented playing and passion, this year's Indoor Enthusiast features Dutch drummer Dennis Leeflang on "The Nearest Exit May Be Behind You," "Bend Toward Light," and "Set Fire To The Stars." Matheos, famed for his work with progressive metal giants Fates Warning, alongside projects such as OSI and his collaboration with John Arch, Arch/Matheos, planted the seeds of TUESDAY THE SKY around 2016. The impetus came from a Fates Warning bonus track that Matheos felt didn't fit for the band. He kept writing in that vein, and the result was TUESDAY THE SKY. The initial offering was 2017's Drift, a record that drew influence from the likes of Brian Eno, Sigur Ros, Boards Of Canada, and Explosions In The Sky. The second TUESDAY THE SKY album was 2021's "The Blurred Horizon," a mixture of ambient, electronica, post-rock, and more. The Blurred Horizon is perhaps best described as a beautiful record, having a natural grace to it. The closing track "Everything Is Free" is a cover of a Gillian Welch and David Rawlings song, and the only song with vocals, supplied by Tim Bowness. "Indoor Enthusiast" is entirely instrumental, produced and mixed by Matheos, and mastered by Jacob Hansen.

Metal Blade Video 🤘 Tuesday the Sky - Set Fire to the Stars (Drum Playthrough): Buy here: http://www.metalblad
Dennis Leeflang performs "Set Fore to the Stars" from the "Indoor Enthusiast" album.… LinkInBio for More 🤘 #MetalBladeRecords #HeavyMetal #Metal

Confraria Floydstock

@cfloydstock.bsky.social

11 hours ago

A Música em Todo Lugar...

Música, a cura pelos ouvidos!

Porque música é assunto (e remédio) para a vida toda.

#music #musica #remedio #rock #hardrock #rockabilly #bluesrock #poprock #classicrock #artrock #postpunk #newwave #rockandroll #progrock #heavymetal #metal #punkrock #glamrock #punk

Rob LaRocque

@roblarocque.bsky.social

12 hours ago

Experience, talent, and ambition are a great combination.
#IronMaiden #RecordOfTheDay #HeavyMetal #VinylSky #VinylRecords #MetalSky #VinylCommunity #MusicSky

David Innes (Perth)

@davidinnesperth.bsky.social

13 hours ago

David Innes (Perth) - I Think I'm in Love
https://youtu.be/tdTANjmgubk

Some KPOP/METAL tunes after Easter, hope you like! And remember, LIKE, SUB, COMMENT about your cat :) Spread the word, the music, and the happiness!

#kpop #metal #heavymetal #numetal #aimusic #davidinnesperth

Confraria Floydstock

@cfloydstock.bsky.social

13 hours ago

Há 38 anos chegava "Odissey"!!!

Qual a sua canção predileta deste 4° álbum de estúdio de Yngwie Malmsteen, que contou com Joe Lynn Turner ao microfone?

#yngwiemalmsteen #odissey #neoclassicmetal #rock #hardrock #music #rockandroll #classicrock #confrariafloydstock #musica #heavymetal

El Pregoner del Metall

@pregonermetall.bsky.social

13 hours ago

image_0

LUNAR SHADOW (Alemanya) presenta nou àlbum: "The Pall of a Past World" #LunarShadow #HeavyMetal #PostPunk #Abril2026 #Alemanya #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

Imanny 😎

@imannymetal.bsky.social

14 hours ago

Castle Rat - WIZARD (Live on KEXP) YouTube video by KEXP

Things that make me go Hell Yeah!

#HeavyMetal #DoomMetal #metalsky

𝕶𝕸ä𝕹𝕽𝖎𝖋𝖋𝖘

@kmanriffs.bsky.social

14 hours ago

DETH DEKK DOMINIONS:🎧🆕🎧

LUNAR SHADOW - The Pall of a Past World 🇩🇪⚛️

4th album from Berlin, German Heavy Metal/Post-Punk outfit⚛️

BC➡️lunarshadow.bandcamp.com/album/the-pa... ⚛️

#LunarShadow #ThePallOfAPastWorld #HeavyMetal #PostPunk #DethDekk #DDDApr8 #KMäN

HamiltonsLive

@hamiltonslive.bsky.social

16 hours ago

Insane Clown Posse Announce Gathering of the Juggalos Location The 2026 edition of the Gathering of the Juggalos is moving to Missouri, according to Insane Clown Posse. Continue reading…

Noiecreep 🤘 Insane Clown Posse Announce Gathering of the Juggalos Location: The 2026 edition of the Gathering of the Juggalos is moving to Missouri, according to Insane Clown Posse. Continue reading… LinkInBio for More 🤘 #noisecreep #heavymetal #metal

HamiltonsLive

@hamiltonslive.bsky.social

16 hours ago

Ozzy and Sharon Osbourne's L.A. Home Lands on Market (PHOTOS) See behind the doors of the Osbourne's luxurious Los Angeles home that just went on the market. Continue reading…

Noiecreep 🤘 Ozzy and Sharon Osbourne's L.A. Home Lands on Market (PHOTOS): See behind the doors of the Osbourne's luxurious Los Angeles home that just went on the market. Continue reading… LinkInBio for More 🤘 #noisecreep #heavymetal #metal

Mount Onit

@mountonit.bsky.social

17 hours ago

CARNAL TOMB from Germany (no, not THAT Carnal Tomb from Germany, the OTHER one, without the 🐓 and ⚽️ torture), with "Abhorrent Veneration" (2019) ⬇️
youtu.be/Ifh_Et9Zba8?...

#OSDM #CarnalTomb #deathmetal #deathmetalsky #metalcassettes #cassettes #heavymetal #metalsky #AbhorrentVeneration #tapes #art

Master Rock

@masterrock.bsky.social

17 hours ago

Cycle Sluts From Hell - I Wish You Were A Beer YouTube video by CycleSlutsHellVEVO

#CycleSlutsFromHell "I Wish You Were A Beer"
#Rock #HeavyMetal #Music #Musica

HamiltonsLive

@hamiltonslive.bsky.social

18 hours ago

Track Premiere: Eveale – “Enter the Woodland Realm” Hear the melodic, folk-inspired black metal rage of Eveale on the title track, "Enter the Woodland Realm," from their upcoming debut full-length. The post Track Premiere: Eveale – “Enter the Woodland Realm” appeared first on Decibel Magazine.

Decibel Magazine 🤘 Track Premiere: Eveale – “Enter the Woodland Realm”: Hear the melodic, folk-inspired black metal rage of Eveale on the title track, "Enter the Woodland Realm," from their upcoming debut full-length.


The post Track… LinkInBio for More 🤘 #DecibelMagazine #Metal #HeavyMetal

HamiltonsLive

@hamiltonslive.bsky.social

18 hours ago

Foghazer – He Left the Temple Review Black metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies. If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble. He Left The Temple by Foghazer Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely. There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating. There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more. --- Rating: 2.5/5.0 DR: 6 | Format Reviewed: 192kbps mp3 Label: Hypnotic Dirge Records Websites: Bandcamp | Instagram Releases Worldwide: March 27th, 2026 The post Foghazer – He Left the Temple Review appeared first on Angry Metal Guy.

Angry Metal Guy 🤘 Foghazer – He Left the Temple Review: Black metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a… LinkInBio for More 🤘 #AngryMetalGuy #HeavyMetal #Metal

Nils Liquidfire

@lagerfeuermetal.metalhead.club.ap.brid.gy

19 hours ago

This song might not be cosidered #HeavyMetal by everybody, but to me it is one of the essential metal songs ever. For today's #MittwochMetalMix and #MusicWomenWednesday

Heart - Barracuda

www.youtube.com/watch

Moshville Times

@moshville.co.uk

19 hours ago

The Moshville Times - Festival Review: Takedown 2026 Day 1 – Portsmouth Guildhall (3rd April 2026) Portsmouth Guildhall is the perfect venue for Takedown Festival, and it really defines the meaning of a ‘takeover’ event. The main hall served as the Phil Campbell Kerrang! (PCK) Stage this year, s…

Festival Review: Takedown 2026 Day 1 - Portsmouth Guildhall (3rd April 2026)

"A great first day"

moshville.co.uk/reviews/gig-...

#rock #metal #heavymetal #livemusic #Portsmouth #MoshvilleTimes