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Two views (one enlarged) of each side.  Obv. James in profile, looking right, laureate, shoulders draped in a mantle. Inscription: IACOBVS VIII DEI GRATIA. Rev. Royal arms quartering (1st and 4th) Scotland, (2nd) France quartering England, (3rd) Ireland. Inscription: 1716 SCOT ANGL FRAN ET HIB REX. Young made a number of Jacobite restrikes, not with an intent to pass them off as originals, but as restitutions in a period of revived interest in the Stuart dynasty after George IV's visit to Edinburgh in 1822.

Two views (one enlarged) of each side. Obv. James in profile, looking right, laureate, shoulders draped in a mantle. Inscription: IACOBVS VIII DEI GRATIA. Rev. Royal arms quartering (1st and 4th) Scotland, (2nd) France quartering England, (3rd) Ireland. Inscription: 1716 SCOT ANGL FRAN ET HIB REX. Young made a number of Jacobite restrikes, not with an intent to pass them off as originals, but as restitutions in a period of revived interest in the Stuart dynasty after George IV's visit to Edinburgh in 1822.

Pattern crown of 'James VIII' for a post-restoration Scottish coinage, designed by Norbert Roettiers (1716) & struck in pewter from the original dies by Matthew Young (1828), St James's Auctions (est. £1,200-2,000) #Jacobite #c18 #c18th #18thc

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CASE: the drum case with pierced foliate canopy and pine-cone finial, on an openwork naturalistic frame, the rectangular plinth with gallery and stylised flowerheads, raised on bun feet, on a later rosewood stand with Chinese characters in ink to the underside
DIAL: the 31⁄4 inch white enamel dial with Roman hours and Arabic five minute track, inner moon phase calendar with quarter-phase moon indications, gilt-brass hour, minute and seconds hands, moon indication hand lacking, with paste gems to the bezel
MOVEMENT: the circular plates joined by five tapering pillars, with verge escapement, chain fusee for the time and standing barrel for the strike, spring balance, regulation and bell to backplate, later decorative plate over bell
151⁄2 in. (39.4 cm.) high; 91⁄4 in. (23.5 cm.) wide; 5 in. (12.7 cm.) deep
With stand: 171⁄2 in. (44.5 cm.) high; 115⁄8 in. (29.5 cm.) wide; 71⁄4 in. (18.5 cm.) deep

CASE: the drum case with pierced foliate canopy and pine-cone finial, on an openwork naturalistic frame, the rectangular plinth with gallery and stylised flowerheads, raised on bun feet, on a later rosewood stand with Chinese characters in ink to the underside DIAL: the 31⁄4 inch white enamel dial with Roman hours and Arabic five minute track, inner moon phase calendar with quarter-phase moon indications, gilt-brass hour, minute and seconds hands, moon indication hand lacking, with paste gems to the bezel MOVEMENT: the circular plates joined by five tapering pillars, with verge escapement, chain fusee for the time and standing barrel for the strike, spring balance, regulation and bell to backplate, later decorative plate over bell 151⁄2 in. (39.4 cm.) high; 91⁄4 in. (23.5 cm.) wide; 5 in. (12.7 cm.) deep With stand: 171⁄2 in. (44.5 cm.) high; 115⁄8 in. (29.5 cm.) wide; 71⁄4 in. (18.5 cm.) deep

Clock (English, c1790) on later stand, made for the Chinese market. Christie’s (est. £30,000-50,000) #c18 #c18th #18thc

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The aged King Priam kneeling before a muscular Achilles, who looks away petulantly. Pencil, black chalk, brown ink, brown & grey wash on paper; inscribed 'Villa Borghese'

The aged King Priam kneeling before a muscular Achilles, who looks away petulantly. Pencil, black chalk, brown ink, brown & grey wash on paper; inscribed 'Villa Borghese'

Johann Heinrich Füssli/Henry Fuseli, Priam Begging Achilles for the Body of Hector (c1770-71), at Christie's, Paris (est. €200,000-300,000) #c18 #c18th #18thc

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When Tartan Was Not Fake: The Disclothing Act in Gaelic Song - The Bottle Imp Tartan is simultaneously a material object, a design template, and a symbol with multiple referents. As a patterned textile, it features straight lines, right angles, bright colours, and no ambiguity;...

“As a patterned textile, [tartan] features straight lines, right angles, bright colours, and no ambiguity; as a symbol, its lines become fuzzy, its angles circular, its colours muddied, and its meaning polysemic”
#TartanDay #C18 #music
4/4
www.thebottleimp.org.uk/2022/06/when...

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Help Bring A Gothic Masterpiece Home - Strawberry Hill House & Garden

Appeal launched to acquire South East View of Strawberry Hill by Johann Heinrich Müntz (c1755-58) #c18 #c18th #18thc @strawbhillhouse.bsky.social www.strawberryhillhouse.org.uk/muntz-strawb...

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Pair of rounded oblong buckles consisting of a ring of two rows of paste ‘diamonds’ in a steel frame that could be attached to a pair of shoes. One of the buckles tests in a case lined with greenish silk on the bottom, white silk on the underside of the top

Pair of rounded oblong buckles consisting of a ring of two rows of paste ‘diamonds’ in a steel frame that could be attached to a pair of shoes. One of the buckles tests in a case lined with greenish silk on the bottom, white silk on the underside of the top

Late #c18 #c18th #18thc shoe buckles with glass paste ‘gemstones’ and original case, Bata Shoe Museum, Toronto

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Three rather stubby ceramic shoes - each with a greyish white ground, decorated with painted flowers, ribbons and squiggles in blue, green and yellow

Three rather stubby ceramic shoes - each with a greyish white ground, decorated with painted flowers, ribbons and squiggles in blue, green and yellow

Tin-glazed earthenware shoes (Bristol, 1768), Bata Shoe Museum, Toronto #c18 #c18th #18thc

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Dealer’s description (lightly edited): ‘Straight and tapering sides. Chased vases joined by swags with perched eagles. At top is engraved “Elizabeth – Matthew”. At bottom, “Nürnberg, 1792”. Russian marks on base [not shown] include assay year. Good condition with some base bungs.’

Dealer’s description (lightly edited): ‘Straight and tapering sides. Chased vases joined by swags with perched eagles. At top is engraved “Elizabeth – Matthew”. At bottom, “Nürnberg, 1792”. Russian marks on base [not shown] include assay year. Good condition with some base bungs.’

Silver wine beaker (Russia, 1792), with Nelson & Nelson, NYC. #c18 #c18th #18thc

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After he finished sitting for this painting he died from all the lead paint makeup 😬 (Great shot AnnaLois ☺️👍🏼)

I said ten minutes on the sunbed Brian not thirty!

for #PalacesandGardens theme of #AprilFools

#EastCoastKin #photography #ECK #ChatsworthHouse #Derbyshire #C18 #antique #oilpainting

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Photograph taken of an C18th oil painting of a young boy who looks like he's either had an allergic reaction to some face cream or has been on the sunbed a little too long! He's wearing a black outfit with silver braid and a white lace ruff. The frame is a heavy, ornate gold and hangs against a beautiful dull sage green wallpaper of water silk.

Photograph taken of an C18th oil painting of a young boy who looks like he's either had an allergic reaction to some face cream or has been on the sunbed a little too long! He's wearing a black outfit with silver braid and a white lace ruff. The frame is a heavy, ornate gold and hangs against a beautiful dull sage green wallpaper of water silk.

I said ten minutes on the sunbed Brian not thirty!

for #PalacesandGardens theme of #AprilFools

#EastCoastKin #photography #ECK #ChatsworthHouse #Derbyshire #C18 #antique #oilpainting
(iPhone camera)

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Mmme Geoffrin seated at a table in front of a fireplace in an elegant room hung with pictures, attended by a manservant in an apron. Behind him, a rake-like is propped against an armchair with red velvet upholstery. Muted browns and reds generally.

Mmme Geoffrin seated at a table in front of a fireplace in an elegant room hung with pictures, attended by a manservant in an apron. Behind him, a rake-like is propped against an armchair with red velvet upholstery. Muted browns and reds generally.

Mme Geoffrin standing and pointing to the oval painting on an easel being presented to her by an artist in a frock coat; in the background a four-poster bed with red silk hangings. More muted browns and red - more of the latter in bed-hangings and curtains

Mme Geoffrin standing and pointing to the oval painting on an easel being presented to her by an artist in a frock coat; in the background a four-poster bed with red silk hangings. More muted browns and red - more of the latter in bed-hangings and curtains

The Louvre has acquired, through its right of pre-emption, two paintings by Hubert Robert from the sale of the Veil-Picard collection at Christie’s: Le Déjeuner de Madame Geoffrin and Un Artiste présente un tableau à Madame Geoffrin #c18 #c18th #18thc

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Page 51 from THE HISTORY OF THE ISLE OF MAN (Dublin, 1780):

[…] resembling a compleat young Woman, but below that, all Fish, with Fins, and a huge spreading Tail. she was carried to a House, and used very tenderly, nothing but Liberty being denied. But tho' they set before her the best Provision the Place afforded, she could not be prevailed on to eat or drink, neither could they get a word from her, tho' they knew these Creatures were not without the Gift of speech, having heard them talk to each other, when sitting regaling themselves on the sea-side. They kept her in this Manner three Days, but perceiving she began to look very ill with fasting, and fearing some Calamity would befal the Island if they should keep her till she died, they agreed to let her return to the Element she liked best, and the third Night set open their Door; which, as soon as she beheld, she raised herself from the Place where she was then lying, and glided with incredible swiftness, on her Tail, to the sea-side. They followed at a Distance, and saw her plunge into the Water, where she was met by a great Number of her own species, one of whom asked what she had observed among the People on Earth; nothing very wonderful answer'd she, but that they are so very ignorant, as to throw away the Water they boil their Eggs in. This Question, and her reply, they told me, was distinctly heard by those who stood on the shore to watch what passed.

As I had not yet attained a thorough Knowledge of the superstition of these People, nor the passionate Fondness for every thing that might be termed, The Wonderful; I was excessively surprized at this Account, given with so serious an Air, and so much, and solemnly averred for Truth. I perceived they were not a little disgusted at my want of Faith, but to make a Convert of me, they obliged me to listen to another, as odd an Adventure as the former, which they assured me was attested by a whole ship's […]

Page 51 from THE HISTORY OF THE ISLE OF MAN (Dublin, 1780): […] resembling a compleat young Woman, but below that, all Fish, with Fins, and a huge spreading Tail. she was carried to a House, and used very tenderly, nothing but Liberty being denied. But tho' they set before her the best Provision the Place afforded, she could not be prevailed on to eat or drink, neither could they get a word from her, tho' they knew these Creatures were not without the Gift of speech, having heard them talk to each other, when sitting regaling themselves on the sea-side. They kept her in this Manner three Days, but perceiving she began to look very ill with fasting, and fearing some Calamity would befal the Island if they should keep her till she died, they agreed to let her return to the Element she liked best, and the third Night set open their Door; which, as soon as she beheld, she raised herself from the Place where she was then lying, and glided with incredible swiftness, on her Tail, to the sea-side. They followed at a Distance, and saw her plunge into the Water, where she was met by a great Number of her own species, one of whom asked what she had observed among the People on Earth; nothing very wonderful answer'd she, but that they are so very ignorant, as to throw away the Water they boil their Eggs in. This Question, and her reply, they told me, was distinctly heard by those who stood on the shore to watch what passed. As I had not yet attained a thorough Knowledge of the superstition of these People, nor the passionate Fondness for every thing that might be termed, The Wonderful; I was excessively surprized at this Account, given with so serious an Air, and so much, and solemnly averred for Truth. I perceived they were not a little disgusted at my want of Faith, but to make a Convert of me, they obliged me to listen to another, as odd an Adventure as the former, which they assured me was attested by a whole ship's […]

From THE HISTORY OF THE ISLE OF MAN (Dublin, 1780): a mermaid, caught by fishermen but eventually released, tells her own people what humans are like:

“…they are so very ignorant, as to throw away the Water they boil their Eggs in”
#WyrdWednesday #folklore #C18
archive.org/details/hist...

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Flat, tapered to a sharp point with an oval loop at the other end. Demi-lion crest engraved near the loop on an otherwise blank surface. Resting on a red leather table-top. On the other side (not shown) hallmarks and the maker’s mark TC (Thomas Chawner)

Flat, tapered to a sharp point with an oval loop at the other end. Demi-lion crest engraved near the loop on an otherwise blank surface. Resting on a red leather table-top. On the other side (not shown) hallmarks and the maker’s mark TC (Thomas Chawner)

This long (nearly 30 cm/12 in) silver meat skewer (London, 1785) was intended to hold the beef together while you carved it, but would make an excellent (defensive) weapon. I keep it handy ... #c18 #c18th #18thc

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Catalogue: 'Circular, the cover, base and sides inset with plaques of multi-colour stained macédoine aventurine glass, the gold mounts applied with a rope motif, the interior lined with blonde horn over engine-turned foils stamped with scattered pellets, marked on flange, cover and base mounts: decharge and countermark'

Catalogue: 'Circular, the cover, base and sides inset with plaques of multi-colour stained macédoine aventurine glass, the gold mounts applied with a rope motif, the interior lined with blonde horn over engine-turned foils stamped with scattered pellets, marked on flange, cover and base mounts: decharge and countermark'

Bonbonnière with gold mounts and multicoloured glass aventurine glass top (Paris, 1782-89), at Christie’s, Paris (est. €3,00-5,000) #c18 #c18th #18thc

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Good bloople of bluesky, join me in Duluth! With more in the shout out vein to @adamwithbooks.bsky.social and Patricia Buckley Ebrey and Will Slauter. #bookhistory #18c #c18 #vastearlyamerica

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Projet de lit «  à la polonaise  », Jean-Démosthène Dugourc (1749-1825) Paris, vers 1784-1790. Plume, encre noire, aquarelle sur papier. Inscription en bas à gauche : J.D. Dugourc, inv. Del (date grattée) Marque de collection en bas à droite : Lugt 103b [Richard Wallace]
© Les Arts Décoratifs / Christophe Dellière

Projet de lit « à la polonaise », Jean-Démosthène Dugourc (1749-1825) Paris, vers 1784-1790. Plume, encre noire, aquarelle sur papier. Inscription en bas à gauche : J.D. Dugourc, inv. Del (date grattée) Marque de collection en bas à droite : Lugt 103b [Richard Wallace] © Les Arts Décoratifs / Christophe Dellière

And another reason to be in Paris madparis.fr/Une-journee-... #c18 #c18th #18thc

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Image of an 18th-century handwritten French document.

Image of an 18th-century handwritten French document.

Periodic palaeographical plea: any thoughts on the underlined text in this c. 1784 notarial act? "L'an de l'??? est comparu..." Merci beaucoup! #C18

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Exhibition poster with a blue, white and gold Sèvres covered vase , a tea cup with portraits of three children and a porcelain spaniel on a neo-classical pedestal with the name Fidélité written it; in the background à view of the Côte d’Azur

Exhibition poster with a blue, white and gold Sèvres covered vase , a tea cup with portraits of three children and a porcelain spaniel on a neo-classical pedestal with the name Fidélité written it; in the background à view of the Côte d’Azur

A good reason to be in Paris www.mobiliernational.culture.gouv.fr/fr/expositio...
#c18 #c18th #18thc

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#c18 #dragonballz #dragonball #dragonballfanart #anime #manga #fanart #animeart #mangaart #art #drawing

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Festoons of large diamonds and trailing bits ending in diamond and pearl tassels (replica of the broken-up original)

Festoons of large diamonds and trailing bits ending in diamond and pearl tassels (replica of the broken-up original)

Replica of the diamond necklace (1772-74) that Queen Marie-Antoinette did _not_ buy, but which sank her reputation. In the V&A’s Marie Antoinette Style exhibition with Sutherland and Anglesey pieces containing stones from the original #c18 #c18th #18thc

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Bateman is because she farmed out large quantities of mediocre work to jobbing smiths. There were much better female silversmiths in the 18C, like Louisa Courtauld and Anne Tanqueray. Dealer's description: 'Ovoid with straight sides; cover hinged and domed with stained-wood finial. Diagonal spout and high-looping and capped stained-wood handle. Beaded mouth and base rims. Bright-cut ornament including garlands, leafing scrollwork, and pendant flowers; two oval frames of which one engraved with interlaced script monogram. Pointille, wavy, scalloped and meandering borders.'

Bateman is because she farmed out large quantities of mediocre work to jobbing smiths. There were much better female silversmiths in the 18C, like Louisa Courtauld and Anne Tanqueray. Dealer's description: 'Ovoid with straight sides; cover hinged and domed with stained-wood finial. Diagonal spout and high-looping and capped stained-wood handle. Beaded mouth and base rims. Bright-cut ornament including garlands, leafing scrollwork, and pendant flowers; two oval frames of which one engraved with interlaced script monogram. Pointille, wavy, scalloped and meandering borders.'

Silver teapot with the mark of (the overrated - see the alt text) Hester Bateman (London, 1788), with Nelson & Nelson, NYC #c18 #c18th #18thc

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Happy to field any questions. Please share!

#c18 #18thc #bookhistory

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Gainsborough: The Fashion of Portraiture

If only travel to the Untidy States were not off-limits for me (for obvious reasons I shall not mention): Gainsborough and 'The Fashion of Portraiture' at the Frick in NYC www.frick.org/exhibitions/... #c18 #c18th #18thc

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NSFW Android 18 Wallpaper tablet Preview

Digital Art Bundles:
a2slp.itch.io/a18-bad-girl...

Digital HD singles at:
payhip.com/b/7Q0Cl

Merch of my art; posters, stickers, desk mats, etc, at: a2slp.redbubble.com

#Android18 #Dragonballgirls #NSFWDragonBall #C18 #NSFW #Wallpaper #NSFWPoster

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Silver medal. Obverse: 'James III and VIII' in profile in full-bottomed wig, laureate, armoured and draped. Legend: NIHIL EFFICIENS ('Accomplishing nothing').

Silver medal. Obverse: 'James III and VIII' in profile in full-bottomed wig, laureate, armoured and draped. Legend: NIHIL EFFICIENS ('Accomplishing nothing').

Reverse: map of Great Britain and Ireland; marked SCOTIA 1708. M. MART. 1716. M. FEBR. BRITANNIA, HIBERNIA; ships about the coast. Legend: BIS VENIT VIDIT NON VICIT FLENSQVE RECESSIT ('Twice he came, he saw, he did not conquer and he retired in tears'). A couple of light surface marks to obverse, toned and with a flashy lustre, extremely fine.

Reverse: map of Great Britain and Ireland; marked SCOTIA 1708. M. MART. 1716. M. FEBR. BRITANNIA, HIBERNIA; ships about the coast. Legend: BIS VENIT VIDIT NON VICIT FLENSQVE RECESSIT ('Twice he came, he saw, he did not conquer and he retired in tears'). A couple of light surface marks to obverse, toned and with a flashy lustre, extremely fine.

Satirical medal (1716) on the repeated failures of the #Jacobite claimant to regain his ancestral thrones (1708 and 1715; more lay ahead), at Spink (est. £1,500-2,000) The Latin is catty: see the alt #c18 #c18th #18thc

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Neue Anklagen gegen Neonazis von „Combat 18“ Der Prozess gegen vier teils prominente Neonazis, die die verbotene militant-rechtsextreme Organisation „Combat 18 Deutschland“ nach dem Verbot weitergeführt haben sollen, ging vor dem Landgericht Dor...

Während in Dortmund kürzlich ein Prozess gegen Neonazis eingestellt wurde, die die verbotene Organisation „Combat 18“ weitergeführt haben sollen, wurden in Hessen und Rheinland-Pfalz weitere mutmaßliche Mitglieder angeklagt. #C18

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Small, bulbous cup with handle and lid with finial, painted with floral sprigs in underglaze blue. Height (incl. cover): 8.4cm (3.3in); width (incl. handle): 8.4cm (3.3in)

Small, bulbous cup with handle and lid with finial, painted with floral sprigs in underglaze blue. Height (incl. cover): 8.4cm (3.3in); width (incl. handle): 8.4cm (3.3in)

Base with hunting horn mark in underglaze blue

Base with hunting horn mark in underglaze blue

Custard cup with cover, hunting horn mark on the base (Chantilly, c1750) #c18 #c18th #18thc

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Oval black basalt with a bust of Pope with characteristic sharp nose and longish, natural hair, no drapery, in relatively high relief, looking left. Less than an inch at its longest

Oval black basalt with a bust of Pope with characteristic sharp nose and longish, natural hair, no drapery, in relatively high relief, looking left. Less than an inch at its longest

Tiny Wedgwood & Bentley portrait of Alexander Pope (c1770), perhaps intended to be mounted on a ring #c18 #c18th #18thc

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Mezzotint trimmed within the plate and laid on album paper. Oval portrait of Pribce Charles Edwrad's helper after Culloden. She wears a tartan shawl and has a rose in her hair and two more fastened to her bodice; she holds a flower garland in her left hand. ‘Mrs Flora Macdonald’ in flowing script in a panel beneath the portrait. Apologies for the crappy scan :)

Mezzotint trimmed within the plate and laid on album paper. Oval portrait of Pribce Charles Edwrad's helper after Culloden. She wears a tartan shawl and has a rose in her hair and two more fastened to her bodice; she holds a flower garland in her left hand. ‘Mrs Flora Macdonald’ in flowing script in a panel beneath the portrait. Apologies for the crappy scan :)

James McArdell after Alan Ramsay, Flora Macdonald (c1765), with Grosvernor Prints, London #Jacobite #c18 #c18th #18thc

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Another loading screen redraw! I tried to mimic that limited color style.
#Redraw #fanart #dragonball #dragonballz #dragonballxenoverse2 #dragonballsuper #digitalart #digitalartist #artist #db #dbz #dbgt #dbxv2 #dbs #art #android18 #android18fanart #a18 #c18

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