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Memento Vivere
by Jane Zwart
My husband tells me I should write about life, about the garden he’s planted: the celosia topped with felted flames, the chenille full of muppets’ pink fingers. And it is not negligible, the life,

the marigolds crowding the touch-me-nots, the squash blossoms like nylon try-on socks stashed in a plant we did not mean to buy. If it must be life, let me also mention the cardinal. He is gargling

song at the top of a dogwood. Life, my husband tells me, an orb of waning geranium plucked and balled in his hand, and I, who have told many half-truths, say, “But I always write about life”.

Memento Vivere by Jane Zwart My husband tells me I should write about life, about the garden he’s planted: the celosia topped with felted flames, the chenille full of muppets’ pink fingers. And it is not negligible, the life, the marigolds crowding the touch-me-nots, the squash blossoms like nylon try-on socks stashed in a plant we did not mean to buy. If it must be life, let me also mention the cardinal. He is gargling song at the top of a dogwood. Life, my husband tells me, an orb of waning geranium plucked and balled in his hand, and I, who have told many half-truths, say, “But I always write about life”.

Today’s poem for #NationalPoetryMonth
#MementoVivere by #JaneZwart
(My husband’s 1st question when asked to read a new poem:
“Is this about grief or death?”)
#NaPoMo #poetry

“And it is not negligible, the life….and I, who have told many half truths, say, “But I always write about life”

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National Poetry Month: Prompt 8, from Bridget Gordon Write about a person using only descriptive language and imagery about their voice. Editor’s note: for extra points, write a sonnet. Bridget Gordon (she/her, fae/faer) is a queer trans woman …

National Poetry Month: Prompt 8, from @bridgetgordon.gay 🌸

It’s all voice today! #poetry #NaPoMo

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I tie my Hat—I crease my Shawl—
Life's little duties do—precisely
As the very least
Were infinite—to me—
—Emily Dickinson, #443


My mother’s mother, widowed very young
of her first love, and of that love’s first fruit,
moved through her father’s farm, her country tongue
and country heart anaesthetized and mute
with labor. So her kind was taught to do—
“Find work,” she would reply to every grief—
and her one dictum, whether false or true,
tolled heavy with her passionate belief.
Widowed again, with children, in her prime,
she spoke so little it was hard to bear
so much composure, such a truce with time
spent in the lifelong practice of despair.
But I recall her floors, scrubbed white as bone,
her dishes, and how painfully they shone.

I tie my Hat—I crease my Shawl— Life's little duties do—precisely As the very least Were infinite—to me— —Emily Dickinson, #443 My mother’s mother, widowed very young of her first love, and of that love’s first fruit, moved through her father’s farm, her country tongue and country heart anaesthetized and mute with labor. So her kind was taught to do— “Find work,” she would reply to every grief— and her one dictum, whether false or true, tolled heavy with her passionate belief. Widowed again, with children, in her prime, she spoke so little it was hard to bear so much composure, such a truce with time spent in the lifelong practice of despair. But I recall her floors, scrubbed white as bone, her dishes, and how painfully they shone.

Today’s poem for #NationalPoetryMonth
#FindWork by #RhinaPEspaillat
(so many sonnets, great words and images) and my own mother’s mother’s story
and how so many process grief
#NaPoMo #poetry

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Look up at the heavens
so that you may see me
wondrously, dreamfully
like you, looking up
thinking perhaps someone’s up there
someone like me
swallowed by starlight
swept up in a spring night sky

#poetry #poetrysky #AmWriting #WritingCommunity #vss365 #InkMine #NaPoMo #NationalPoetryMonth

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I don’t want to be a spice store.
I don’t want to carry handcrafted Marseille soap,
or tsampa and yak butter,
or nine thousand varieties of wine.
Half the shops here don’t open till noon
and even the bookstore’s brined in charm.
I want to be the one store that’s open all night
and has nothing but necessities.
Something to get a fire going
and something to put one out.
A place where things stay frozen
and a place where they are sweet.
I want to hold within myself the possibility
of plugging one’s ears and easing one’s eyes;
superglue for ruptures that are,
one would have thought, irreparable,
a whole bevy of non-toxic solutions
for everyday disasters. I want to wait
brightly lit and with the patience
I never had as a child
for my father to find me open
on Christmas morning in his last-ditch, lone-wolf drive
for gifts. “Light of the World” penlight,
bobblehead compass, fuzzy dice.
I want to hum just a little with my own emptiness
at 4 a.m. To have little bells above my door.
To have a door.

I don’t want to be a spice store. I don’t want to carry handcrafted Marseille soap, or tsampa and yak butter, or nine thousand varieties of wine. Half the shops here don’t open till noon and even the bookstore’s brined in charm. I want to be the one store that’s open all night and has nothing but necessities. Something to get a fire going and something to put one out. A place where things stay frozen and a place where they are sweet. I want to hold within myself the possibility of plugging one’s ears and easing one’s eyes; superglue for ruptures that are, one would have thought, irreparable, a whole bevy of non-toxic solutions for everyday disasters. I want to wait brightly lit and with the patience I never had as a child for my father to find me open on Christmas morning in his last-ditch, lone-wolf drive for gifts. “Light of the World” penlight, bobblehead compass, fuzzy dice. I want to hum just a little with my own emptiness at 4 a.m. To have little bells above my door. To have a door.

Today’s poem for #NationalPoetryMonth
#IDon’tWanttoBeaSpiceStore by #ChristianWiman
(originally in The New Yorker, also a great Poetry Podcast interview at Apple)
#NaPoMo #poetry

“I want to hold within myself the possibility…”

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#NaPoMo
National Poetry Month

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#NaPoMo
National Poetry Month

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Up From the Egg

Bird watchers top my honors list.
I aimed to be one, but I missed.

Since I’m both myopic and astigmatic,

My aim turned out to be erratic,

And I, bespectacled and binocular,

Exposed myself to comment jocular.

We don’t need too much birdlore, do we,

To tell a flamingo from a towhee;

Yet I cannot, and never will,

Unless the silly birds stand still. 

And there’s no enlightenment in a tour

Of ornithological literature.

Is yon strange creature a common chickadee,

Or a migrant alouette from Picardy?

You can rush to consult your Nature guide

And inspect the gallery inside,

But a bird in the open never looks

Like its picture in the birdie books –
Or if it once did, it has changed its plumage,

And plunges you back into ignorant gloomage.

That is why I sit here growing old by inches,

Watching a clock instead of finches,

But I sometimes visualize in my gin

The Audubon that I audubin.

Up From the Egg Bird watchers top my honors list. I aimed to be one, but I missed.
 Since I’m both myopic and astigmatic,
 My aim turned out to be erratic,
 And I, bespectacled and binocular,
 Exposed myself to comment jocular. We don’t need too much birdlore, do we,
 To tell a flamingo from a towhee;
 Yet I cannot, and never will,
 Unless the silly birds stand still. 
 And there’s no enlightenment in a tour
 Of ornithological literature.
 Is yon strange creature a common chickadee,
 Or a migrant alouette from Picardy? You can rush to consult your Nature guide
 And inspect the gallery inside,
 But a bird in the open never looks
 Like its picture in the birdie books – Or if it once did, it has changed its plumage,
 And plunges you back into ignorant gloomage.
 That is why I sit here growing old by inches,
 Watching a clock instead of finches,
 But I sometimes visualize in my gin
 The Audubon that I audubin.

Today’s poem for #NationalPoetryMonth and #SmallPoemSunday
and #Easter
A bit of smart word play, rhyme, and surprise
#UpfromtheEgg by #OgdenNash 🥚🐣🐥🐓🔭 🪶
#NaPoMo

“The Audubon that I audubin”

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Then It Was Spring . . . All the World Awoke - Kathryn A. LeRoy Likely, daffodils, tulips, and crocuses crossed your mind. Or maybe you remembered the cacophony of wildflowers framing the roadway like an invitation to somewhere important. The earth awakes this…

Poems―
     sights and sounds
          words flying by
               in a frenzied state.

#poetry #poem #NaPoMo

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We cannot know his legendary head 
with eyes like ripening fruit. And yet his torso 
is still suffused with brilliance from inside,
like a lamp, in which his gaze, now turned to low,

gleams in all its power. Otherwise 
the curved breast could not dazzle you so, nor could 
a smile run through the placid hips and thighs
to that dark center where procreation flared. 

Otherwise this stone would seem defaced 
beneath the translucent cascade of the shoulders
and would not glisten like a wild beast's fur: 

would not, from all the borders of itself, 
burst like a star: for here there is no place
that does not see you. You must change your life

We cannot know his legendary head with eyes like ripening fruit. And yet his torso is still suffused with brilliance from inside, like a lamp, in which his gaze, now turned to low, gleams in all its power. Otherwise the curved breast could not dazzle you so, nor could a smile run through the placid hips and thighs to that dark center where procreation flared. Otherwise this stone would seem defaced beneath the translucent cascade of the shoulders and would not glisten like a wild beast's fur: would not, from all the borders of itself, burst like a star: for here there is no place that does not see you. You must change your life

Today’s poem for #NationalPoetryMonth
#ArchaicTorsoofApollo by #RainerMariaRilke
(the last line in yesterday’s Oliver’s poem, today #awe comes from art and musing)
the first great modernist #ekphrastic poem, absence and feeling, and the imagined
#NaPoMo

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National Poetry Month: Prompt 4, from J.D. Ho Write about a city (or place) that you changed your opinion about. Note from J.D.: I’ve thought about this a lot as I have gone back and forth through the Bronx while travelling. I always tho…

National Poetry Month: Prompt 4, from J.D. Ho—of feelings and place 💙 #NaPoMo #poetry @nematode.bsky.social

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Oh do you have time
to linger
for just a little while
out of your busy

and very important day
for the goldfinches
that have gathered
in a field of thistles

for a musical battle,
to see who can sing
the highest note,
or the lowest,

or the most expressive of mirth,
or the most tender?
Their strong, blunt beaks
drink the air

as they strive
melodiously
not for your sake
and not for mine

and not for the sake of winning
but for sheer delight and gratitude –
believe us, they say,
it is a serious thing

just to be alive
on this fresh morning
in the broken world.
I beg of you,

do not walk by
without pausing
to attend to this
rather ridiculous performance.

It could mean something.
It could mean everything.
It could be what Rilke meant, when he wrote:
You must change your life.

Oh do you have time to linger for just a little while out of your busy and very important day for the goldfinches that have gathered in a field of thistles for a musical battle, to see who can sing the highest note, or the lowest, or the most expressive of mirth, or the most tender? Their strong, blunt beaks drink the air as they strive melodiously not for your sake and not for mine and not for the sake of winning but for sheer delight and gratitude – believe us, they say, it is a serious thing just to be alive on this fresh morning in the broken world. I beg of you, do not walk by without pausing to attend to this rather ridiculous performance. It could mean something. It could mean everything. It could be what Rilke meant, when he wrote: You must change your life.

Oh do you have time
to linger
for just a little while
out of your busy

and very important day
for the goldfinches
that have gathered
in a field of thistles

for a musical battle,
to see who can sing
the highest note,
or the lowest,

or the most expressive of mirth,
or the most tender?
Their strong, blunt beaks
drink the air

as they strive
melodiously
not for your sake
and not for mine

and not for the sake of winning
but for sheer delight and gratitude –
believe us, they say,
it is a serious thing

just to be alive
on this fresh morning
in the broken world.
I beg of you,

do not walk by
without pausing
to attend to this
rather ridiculous performance.

It could mean something.
It could mean everything.
It could be what Rilke meant, when he wrote:
You must change your life.

Oh do you have time to linger for just a little while out of your busy and very important day for the goldfinches that have gathered in a field of thistles for a musical battle, to see who can sing the highest note, or the lowest, or the most expressive of mirth, or the most tender? Their strong, blunt beaks drink the air as they strive melodiously not for your sake and not for mine and not for the sake of winning but for sheer delight and gratitude – believe us, they say, it is a serious thing just to be alive on this fresh morning in the broken world. I beg of you, do not walk by without pausing to attend to this rather ridiculous performance. It could mean something. It could mean everything. It could be what Rilke meant, when he wrote: You must change your life.

Today’s poem for #NationalPoetryMonth
#Invitation by #MaryOliver (a swing at smaller nature’s awe. So looking forward to the new PBS documentary this summer) #NaPoMo #poetry 🐤 🪶

“it is a serious thing

just to be alive
on this fresh morning
in the broken world.”  

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I pick an orange from a wicker basket
and place it on the table
to represent the sun.
Then down at the other end
a blue and white marble
becomes the earth
and nearby I lay the little moon of an aspirin.

I get a glass from a cabinet,
open a bottle of wine,
then I sit in a ladder-back chair,
a benevolent god presiding
over a miniature creation myth,

and I begin to sing
a homemade canticle of thanks
for this perfect little arrangement,
for not making the earth too hot or cold
not making it spin too fast or slow

so that the grove of orange trees
and the owl become possible,
not to mention the rolling wave,
the play of clouds, geese in flight,
and the Z of lightning on a dark lake.

Then I fill my glass again
and give thanks for the trout,
the oak, and the yellow feather,

singing the room full of shadows,
as sun and earth and moon
circle one another in their impeccable orbits
and I get more and more cockeyed with gratitude.

I pick an orange from a wicker basket and place it on the table to represent the sun. Then down at the other end a blue and white marble becomes the earth and nearby I lay the little moon of an aspirin. I get a glass from a cabinet, open a bottle of wine, then I sit in a ladder-back chair, a benevolent god presiding over a miniature creation myth, and I begin to sing a homemade canticle of thanks for this perfect little arrangement, for not making the earth too hot or cold not making it spin too fast or slow so that the grove of orange trees and the owl become possible, not to mention the rolling wave, the play of clouds, geese in flight, and the Z of lightning on a dark lake. Then I fill my glass again and give thanks for the trout, the oak, and the yellow feather, singing the room full of shadows, as sun and earth and moon circle one another in their impeccable orbits and I get more and more cockeyed with gratitude.

Post image

Today for #NationalPoetryMonth another meditation
#AsIfToDemonstrateAnEclipse by #BillyCollins
(I may have shared this previously on Post but it’s that good)
#NaPoMo #poetry ☀️🌏 🌔

“and I begin to sing
a homemade canticle of thanks”

“and I get more and more cockeyed with gratitude.”

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National Poetry Month: Prompt 2, from Kevin Philip Write a poem about something beautiful in what is seen as ugly, like the calf in Laura Gilpin’s poem “The Two-headed Calf”: The Two-headed Calf Tomorrow when the farm boys find th…

National Poetry Month, Prompt 2, from Kevin Philip! Come for the beauty, stay for the two-headed calf 💙 #poetry #NaPoMo

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Letter to Someone Living Fifty Years from Now
Matthew Olzmann

Most likely, you think we hated the elephant, /
the golden toad, the thylacine and all variations /of whale harpooned or hacked into extinction.//
It must seem like we sought to leave you nothing /but benzene, mercury, the stomachs / of seagulls rippled with jet fuel and plastic. //
You probably doubt that we were capable of joy, /but I assure you we were. //
We still had the night sky back then, / and like our ancestors, we admired / its illuminated doodles /
of scorpion outlines and upside-down ladles. //
Absolutely, there were some forests left! /
Absolutely, we still had some lakes! //
I'm saying, it wasn't all lead paint and sulfur dioxide. /
There were bees back then, and they pollinated /a euphoria of flowers so we might / contemplate the great mysteries and finally ask, /
"Hey guys, what's transcendence?" //
And then all the bees were dead.

Letter to Someone Living Fifty Years from Now Matthew Olzmann Most likely, you think we hated the elephant, / the golden toad, the thylacine and all variations /of whale harpooned or hacked into extinction.// It must seem like we sought to leave you nothing /but benzene, mercury, the stomachs / of seagulls rippled with jet fuel and plastic. // You probably doubt that we were capable of joy, /but I assure you we were. // We still had the night sky back then, / and like our ancestors, we admired / its illuminated doodles / of scorpion outlines and upside-down ladles. // Absolutely, there were some forests left! / Absolutely, we still had some lakes! // I'm saying, it wasn't all lead paint and sulfur dioxide. / There were bees back then, and they pollinated /a euphoria of flowers so we might / contemplate the great mysteries and finally ask, / "Hey guys, what's transcendence?" // And then all the bees were dead.

#NaPoMo thread until I forget about it. Poems I love and poems I've written. Last year I wrote 30 poems in 30 days but I won't be doing that again coz the poems in me are dead.

Which brings me to:

Letter to Someone Living Fifty Years from Now by Matthew Olzmann

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My poem “On the Rim of Depoe Bay” published in Rogue Agent + Year-round submission call I’m thrilled to share that my poem “On the Rim of Depoe Bay” is published today in the newest issue of Rogue Agent—a perfect way to welcome the first day of National Poetry Month. This poem has had…

My poem On the Rim of Depoe Bay is out today in the new issue of @rogueagent.bsky.social, just in time for the first day of National Poetry Month. Congrats to all the contributors! Rogue Agent is open year‑round for submissions. buff.ly/HH4TvP1

#poetrycommunity #NaPoMo

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First poem completed for #NaPoMo! I loved it so much I submitted it somewhere.

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This month, April, is National Poetry Month. Also known as NaPoMo.

This month, April, is National Poetry Month. Also known as NaPoMo.

In case you don't know what NaPoMo means, it's National Poetry Month. And April is!

#napomo #writers #poets #writingcommunity #poetrycommunity #poetry #amwriting #writing #writer #poet #creativewriting #creativity

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National Poetry Month promo from SHINE poetry series

National Poetry Month promo from SHINE poetry series

It's April, #poetrylovers ! Happy #napomo and may your month be filled with #poetry and light!

#shinepoetry
#poetrycommunity
#internationalcommunity

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Living is no laughing matter:
	you must live with great seriousness
		like a squirrel, for example—
   I mean without looking for something beyond and above living,
		I mean living must be your whole occupation.
Living is no laughing matter:
	you must take it seriously,
	so much so and to such a degree
   that, for example, your hands tied behind your back,
                                            your back to the wall,
   or else in a laboratory
	in your white coat and safety glasses,
	you can die for people—
   even for people whose faces you’ve never seen,
   even though you know living
	is the most real, the most beautiful thing.
I mean, you must take living so seriously
   that even at seventy, for example, you’ll plant olive trees—
   and not for your children, either,
   but because although you fear death you don’t believe it,
   because living, I mean, weighs heavier.

Living is no laughing matter: you must live with great seriousness like a squirrel, for example— I mean without looking for something beyond and above living, I mean living must be your whole occupation. Living is no laughing matter: you must take it seriously, so much so and to such a degree that, for example, your hands tied behind your back, your back to the wall, or else in a laboratory in your white coat and safety glasses, you can die for people— even for people whose faces you’ve never seen, even though you know living is the most real, the most beautiful thing. I mean, you must take living so seriously that even at seventy, for example, you’ll plant olive trees— and not for your children, either, but because although you fear death you don’t believe it, because living, I mean, weighs heavier.

Let’s say we’re seriously ill, need surgery—
which is to say we might not get up
			from the white table.
Even though it’s impossible not to feel sad
			about going a little too soon,
we’ll still laugh at the jokes being told,
we’ll look out the window to see if it’s raining,
or still wait anxiously
		for the latest newscast . . . 
Let’s say we’re at the front—
	for something worth fighting for, say.
There, in the first offensive, on that very day,
	we might fall on our face, dead.
We’ll know this with a curious anger,
        but we’ll still worry ourselves to death
        about the outcome of the war, which could last years.
Let’s say we’re in prison
and close to fifty,
and we have eighteen more years, say,
                        before the iron doors will open.
We’ll still live with the outside,
with its people and animals, struggle and wind—
                                I  mean with the outside beyond the walls.
I mean, however and wherever we are,
        we must live as if we will never die.

Let’s say we’re seriously ill, need surgery— which is to say we might not get up from the white table. Even though it’s impossible not to feel sad about going a little too soon, we’ll still laugh at the jokes being told, we’ll look out the window to see if it’s raining, or still wait anxiously for the latest newscast . . . Let’s say we’re at the front— for something worth fighting for, say. There, in the first offensive, on that very day, we might fall on our face, dead. We’ll know this with a curious anger, but we’ll still worry ourselves to death about the outcome of the war, which could last years. Let’s say we’re in prison and close to fifty, and we have eighteen more years, say, before the iron doors will open. We’ll still live with the outside, with its people and animals, struggle and wind— I mean with the outside beyond the walls. I mean, however and wherever we are, we must live as if we will never die.

This earth will grow cold,
a star among stars
               and one of the smallest,
a gilded mote on blue velvet—
	  I mean this, our great earth.
This earth will grow cold one day,
not like a block of ice
or a dead cloud even 
but like an empty walnut it will roll along
	  in pitch-black space . . . 
You must grieve for this right now
—you have to feel this sorrow now—
for the world must be loved this much
                               if you’re going to say “I lived” . . .

This earth will grow cold, a star among stars and one of the smallest, a gilded mote on blue velvet— I mean this, our great earth. This earth will grow cold one day, not like a block of ice or a dead cloud even but like an empty walnut it will roll along in pitch-black space . . . You must grieve for this right now —you have to feel this sorrow now— for the world must be loved this much if you’re going to say “I lived” . . .

For #NationalPoetryMonth I plan on posting poems by others.
Poems of power. Quiet poems. Poems I adore and couldn’t ignore.
Today #OnLiving by #NâzimHikmet
(Written in 1948, might as well be today)
#NaPoMo #poetry 🌳 🌏 🌎 🌍

“I mean, you must take living so seriously…if you’re going to say “I lived”

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Poem a Day Reading Series An overview and archive of Anna Pele's April Poem a Day Reading series.

Want to read more poetry? I'm offering a free reading series in April with 30 curated poems.
Every day, you'll receive an email with a poem & info on an aspect of poetry.

You can learn more & sign up here: subscribepage.io/YF4FYE

Joining my regular mailing list is optional!
#poetry
#NaPoMo

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Collecting poetry prompts from my friends for @moistpoetryjournal.bsky.social & #NaPoMo makes me feel like Jane Austen’s Emma collecting riddles…

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30 poems in 30 days ✅ #NationalPoetryMoth #NaPoMo

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NaPoMo (21-25): Juvenilia [Chimera, Eunuch, Finicky, Hatshepsut, Middle Passage] From Blackbone: How to Know My Broken Mind and Body

Had to post some oldies but goodies to finish the #NaPoMo challenge: ivanlett.substack.com/p/napomo-21-... I am still what I was becoming, final poems coming shortly.

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A photo composite of a stream and plants. The poem reads: prevailing is light where weeps the weeping images translucent and stained as flowers which flowers as stained and translucent images weeping the weeps where light is prevailing -gomp_art

A photo composite of a stream and plants. The poem reads: prevailing is light where weeps the weeping images translucent and stained as flowers which flowers as stained and translucent images weeping the weeps where light is prevailing -gomp_art

(trying this again without the error)

for the final day of #napowrimo i'll reshare this word-unit palindrome poem on rebirth that i wrote when maui was burning.

it's been a delight sharing a poem of mine each day. thanks for the love🫂
#napomo #poetry #poem #photography #composite

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Day 30 #NaPoMo #NaPoWriMo

Haiku/Haiga in response to artwork by Sara Bell.

Congratulations to all of the contributors for completing 30 days! 🎉 🎊

#شيخه
#sheikhawrites #micropoetry #haiga #haiku #poem #writingcommunity #poetrycommunity #artwork #ekphrastic

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A photo composite of a fireplace and the burnt remains of a housefire. The poem reads: it's sixteen degrees out my socks smell like burning snatched from the drawer next to once-my-bed where thoughts would be ashes if senses just hadn't scented advancing rank charcoal perfume that still emanates in a stench so relentless from siblingless socks worn choiceless today  -gomp_art

A photo composite of a fireplace and the burnt remains of a housefire. The poem reads: it's sixteen degrees out my socks smell like burning snatched from the drawer next to once-my-bed where thoughts would be ashes if senses just hadn't scented advancing rank charcoal perfume that still emanates in a stench so relentless from siblingless socks worn choiceless today -gomp_art

for the penultimate day of #napowrimo i will reshare this still painful one i wrote after our housefire. the image is a photo composite of some of our burnt house detritus and flickering flames in a gas fireplace.
#napomo #poetry #poem #eastcoastkin #photography #composite #housefire

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Day 29 #NaPoMo #NaPoWriMo

Haiku/Haiga in response to artwork by Sara Bell.

#شيخه
#sheikhawrites #micropoetry #haiga #haiku #poem #writingcommunity #poetrycommunity #artwork #ekphrastic

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