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Genndy Tartakovsky's Primal Season 3 | OFFICIAL TRAILER | January 11 | adult swim
Genndy Tartakovsky's Primal Season 3 | OFFICIAL TRAILER | January 11 | adult swim YouTube video by Adult Swim

I been sleepin on #Primal season 3.

Got to be pound for pound best cartoon movin. Wow 👀

www.youtube.com/watch?v=VLu-...

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🏃‍♀️ REVIEW 🏃‍♂️

PLAYING WITH SURRENDER: Players Club Sinners bk 3 by #ErikaWilde 4.5🌟

I 💜 this bk. The club & chase scenes are 🌶🔥

www.goodreads.com/review/show/...

🌶📚💙 #books #romancelandia #bookreview #bookrecs #goodread #newrelease #steamyreads #angstyread #suspense #primal #bdsm #romanticsuspense

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Post image Post image

When your ready come and get it
Healing and growing!🏳️‍⚧️✊🏾
3 years post op vs 1 year post op
& 2 years of PT in between
#camboy #transnsfw #pan
#bodybuilding #gym #muscle #stud #bull #primal #bodyworship #ftm #trans #transformation #jock #gayjock #athlete #strong #flex #toned #fitness #fit #ftmporn
🔗👇🏾

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Video

sometimes connection is just icing on the cake

sometimes your primal urges
do take over
sometimes its just about need

love feels good
but it also feels good to love this cock,
doesn't it baby?

#corruption #primal #feral #dynamics #nsfwlines #blowjob #oralfixation #obsession #degradation #praise

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Post image

You won't have to worry so much when you're with me when you let the cash flow.

#findom#femdom#Simp#moneyslave#cuck#gooner#nsfwsky#primal#Humiliation#xxx#babesky#Serve&Submit ☆ #$lave ☆ #cashcow#Sissy#bisexual#Obey&Pay

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PROLOGUE 
Primal Psychology and the 
Farther Reaches of Experience 

Page 1

The Hidden Land of Origin:
Our Astonishing Inability to Acknowledge Our
Earliest Experiences and the Surprising Vista of
Knowledge That Doing So Reveals

Page 3

1. THE HIDDEN LAND OF ORIGIN

PROLOGUE Primal Psychology and the Farther Reaches of Experience Page 1 The Hidden Land of Origin: Our Astonishing Inability to Acknowledge Our Earliest Experiences and the Surprising Vista of Knowledge That Doing So Reveals Page 3 1. THE HIDDEN LAND OF ORIGIN



PROLOGUE 
Primal Psychology and the 
Farther Reaches of Experience 

Page 1

The Hidden Land of Origin:
Our Astonishing Inability to Acknowledge Our
Earliest Experiences and the Surprising Vista of
Knowledge That Doing So Reveals

Page 3

1. THE HIDDEN LAND OF ORIGIN

PROLOGUE Primal Psychology and the Farther Reaches of Experience Page 1 The Hidden Land of Origin: Our Astonishing Inability to Acknowledge Our Earliest Experiences and the Surprising Vista of Knowledge That Doing So Reveals Page 3 1. THE HIDDEN LAND OF ORIGIN

*DANCE OF THE SEVEN VEILS I* (2017) by Michael Adzema

Prologue, pp. 1, 3

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PREFACE. A DANCE OF THE SEVEN VEILS  

Page xxxi  

This is where we will go in these books. This is the melody that will guide us, move us, direct us. And we will, like Salome, do a Dance of the Seven Veils and find out what Naked Reality is more likely to be like. 

So let the music begin.

PREFACE. A DANCE OF THE SEVEN VEILS Page xxxi This is where we will go in these books. This is the melody that will guide us, move us, direct us. And we will, like Salome, do a Dance of the Seven Veils and find out what Naked Reality is more likely to be like. So let the music begin.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by Michael Adzema

Preface, p. xxxi

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As I have said throughout my works, all the evidence points to a rich and infinite variety of experience, a colorfully profound and interesting mix, as a more fundamental reality and as the essence of Divinity. 

The reason we so cannot see that experience itself is our one and only reality is that we have experienced Pain at our earliest beginnings in coming into life. We cannot hack the idea of that being fundamental because it would mean that pain is — that pain is an essential, or a Divinely planned aspect of human reality. And what we have tried to do instead is to seek to separate from experience ... calling this split-off state, transcendence ... so as not to have to acknowledge what it feels like inside our bodies. At base, we wish to find a “higher” reality in Mind/mind because it is too painful to find one in body. 

Whereas as I (2013d) put it, “Experience Is Divinity.” The “mind” of God is no-thing, but hardly nothing! Indeed, quite the opposite! I deal with this last no-veil in the Epilogue of this work, which is in Dance of the Seven Veils III, as well as in Experience Is Divinity, and in Part Three of Funny God. Its most complete exposition will be in the forthcoming — Book Thirteen in The Path of Ecstasy Series — The Cosmic Overstanding. 

DANCE OF THE SEVEN VEILS I  

Page xxx

As I have said throughout my works, all the evidence points to a rich and infinite variety of experience, a colorfully profound and interesting mix, as a more fundamental reality and as the essence of Divinity. The reason we so cannot see that experience itself is our one and only reality is that we have experienced Pain at our earliest beginnings in coming into life. We cannot hack the idea of that being fundamental because it would mean that pain is — that pain is an essential, or a Divinely planned aspect of human reality. And what we have tried to do instead is to seek to separate from experience ... calling this split-off state, transcendence ... so as not to have to acknowledge what it feels like inside our bodies. At base, we wish to find a “higher” reality in Mind/mind because it is too painful to find one in body. Whereas as I (2013d) put it, “Experience Is Divinity.” The “mind” of God is no-thing, but hardly nothing! Indeed, quite the opposite! I deal with this last no-veil in the Epilogue of this work, which is in Dance of the Seven Veils III, as well as in Experience Is Divinity, and in Part Three of Funny God. Its most complete exposition will be in the forthcoming — Book Thirteen in The Path of Ecstasy Series — The Cosmic Overstanding. DANCE OF THE SEVEN VEILS I Page xxx

*DANCE OF THE SEVEN VEILS I* (2017) by M Adzema

Pref, p. xxx

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DANCE OF THE SEVEN VEILS I  

Page xxx  

The last no-veil — existing in no-time and no-place — is one we can choose, even in the No-Form State, and consciously. For as Divinity we wish to be less as well as All, to be a part and separate as well as Unity and One. We wish to be less than the All for the fun of it, for the fun of configuration, for the drama of it, even as souls and No-Forms. For the peek-a-boo joy of continually appreciating beauty joy and love by forgetting it so as to discover it again and again, endlessly. It is the Veil of the no-form configuration of the No-Form Self. It is the chosen configuration of spirit, some might call a soul, that we adopt for the purpose of interacting with ourselves as Divinity within the grand expanse of all Experience. That is the final Veil, the no-veil. And beyond that? Well, that would be the “mind” of God, would it not? The Self of God? Brahman? 

Yet, one could say that outside our perceptual biases and all our biologically and bioculturally constituted realities, it is nothing. That there is a fundamental nothingness, like some mystical types and their literature profess. However, I contend that is a cop-out. It is easy to say something does not exist — there is “nothing” there — in “places” where we are not able to see at our level of spiritual growth.

DANCE OF THE SEVEN VEILS I Page xxx The last no-veil — existing in no-time and no-place — is one we can choose, even in the No-Form State, and consciously. For as Divinity we wish to be less as well as All, to be a part and separate as well as Unity and One. We wish to be less than the All for the fun of it, for the fun of configuration, for the drama of it, even as souls and No-Forms. For the peek-a-boo joy of continually appreciating beauty joy and love by forgetting it so as to discover it again and again, endlessly. It is the Veil of the no-form configuration of the No-Form Self. It is the chosen configuration of spirit, some might call a soul, that we adopt for the purpose of interacting with ourselves as Divinity within the grand expanse of all Experience. That is the final Veil, the no-veil. And beyond that? Well, that would be the “mind” of God, would it not? The Self of God? Brahman? Yet, one could say that outside our perceptual biases and all our biologically and bioculturally constituted realities, it is nothing. That there is a fundamental nothingness, like some mystical types and their literature profess. However, I contend that is a cop-out. It is easy to say something does not exist — there is “nothing” there — in “places” where we are not able to see at our level of spiritual growth.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by Michael Adzema

Preface, p. xxx

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We need remove, first, the Veil of vanity and Ego of species, i.e., anthropocentrism (see The Secret Life of Stones and Veil One of this book); second, that of cultural identity (see Veil Two of this book); third, that of personal, primal pain (see Veil Three); fourth, that of prenatal and perinatal pain and their mythological-archetypal correlates (see Veils Four, Five, and Six, which are in the second volume of Dance of the Seven Veils); fifth, that of cellular experience and its Form-ular constructions of world (see Veil Seven, in the third book of this); and sixth, that of our biology itself as a species, human, which determines a human Veil, in distinction to all others (see Veil Seven, Dance of the Seven Veils III as well and my forthcoming work, Cells with a View). Finally, as I explain in The Secret Life of Stones, there remains a Veil, a conscious one. It is another Veil that is not a veil for it is chosen, transparent, and conscious. 

One can see through it. This is much the same as the way we are able to process through the seven Veils while in life and, afterward, see through them. Hopefully these volumes of Dance of the Seven Veils are helpful, if not instrumental, in that. Though the seven Veils — even with such clarity as I am endeavoring to elicit in you with this work, and which is possible — are in some ways still extant (while in Form); being conscious, no longer are they limiting. 

PREFACE. A DANCE OF THE SEVEN VEILS  

Page xxix

We need remove, first, the Veil of vanity and Ego of species, i.e., anthropocentrism (see The Secret Life of Stones and Veil One of this book); second, that of cultural identity (see Veil Two of this book); third, that of personal, primal pain (see Veil Three); fourth, that of prenatal and perinatal pain and their mythological-archetypal correlates (see Veils Four, Five, and Six, which are in the second volume of Dance of the Seven Veils); fifth, that of cellular experience and its Form-ular constructions of world (see Veil Seven, in the third book of this); and sixth, that of our biology itself as a species, human, which determines a human Veil, in distinction to all others (see Veil Seven, Dance of the Seven Veils III as well and my forthcoming work, Cells with a View). Finally, as I explain in The Secret Life of Stones, there remains a Veil, a conscious one. It is another Veil that is not a veil for it is chosen, transparent, and conscious. One can see through it. This is much the same as the way we are able to process through the seven Veils while in life and, afterward, see through them. Hopefully these volumes of Dance of the Seven Veils are helpful, if not instrumental, in that. Though the seven Veils — even with such clarity as I am endeavoring to elicit in you with this work, and which is possible — are in some ways still extant (while in Form); being conscious, no longer are they limiting. PREFACE. A DANCE OF THE SEVEN VEILS Page xxix

*DANCE OF THE SEVEN VEILS I* (2017) by M Adzema

Pref, p. xxix

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PREFACE. A DANCE OF THE SEVEN VEILS  

Page xxix  

…we have laid — through the experiences we have had there of duality — a foundation for seeing all the rest of the Reality we will experience in life in terms of male and female, separation and union, struggle and peace, pleasure and pain, satisfaction and discontent, inner and outer, and all the rest. 

But what was Reality before we stamped that particular cookie cutter on Reality? What was the bigger “game” or the larger reality outside the game before those rules of consensual reality, involving dualism, were initiated? At this point we are metaphorically looking for what the “room” looks like that we are sitting in when we are playing the board or virtual reality game of life. What is the “setting” like? What are we like? Who else is there and what are they like? What does it feel like? What is it all about at that “level”? And more — anything else we will find out when we have removed more than just vanity from our prejudices, but also the formative early experiences, many of them painful, which give rise to all the other prejudices on our perception. 

In my works, we pull back at least these seven Veils across Naked Reality, in order to perceive the Truth ec-static, out of Form, untainted, unsullied, in Itself, non-skewed and unslanted and unprejudiced:

PREFACE. A DANCE OF THE SEVEN VEILS Page xxix …we have laid — through the experiences we have had there of duality — a foundation for seeing all the rest of the Reality we will experience in life in terms of male and female, separation and union, struggle and peace, pleasure and pain, satisfaction and discontent, inner and outer, and all the rest. But what was Reality before we stamped that particular cookie cutter on Reality? What was the bigger “game” or the larger reality outside the game before those rules of consensual reality, involving dualism, were initiated? At this point we are metaphorically looking for what the “room” looks like that we are sitting in when we are playing the board or virtual reality game of life. What is the “setting” like? What are we like? Who else is there and what are they like? What does it feel like? What is it all about at that “level”? And more — anything else we will find out when we have removed more than just vanity from our prejudices, but also the formative early experiences, many of them painful, which give rise to all the other prejudices on our perception. In my works, we pull back at least these seven Veils across Naked Reality, in order to perceive the Truth ec-static, out of Form, untainted, unsullied, in Itself, non-skewed and unslanted and unprejudiced:

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by Michael Adzema

Preface, p. xxix

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A Dance of the Seven Veils 

For, in these five books — Dance of the Seven Veils I, II, and III; Womb with a View; and Cells with a View — I will show how we can view even beyond that into what is the Nature of Reality. How? By peeling away not just the Veils of ego and vanity — especially as manifest in our universal and utterly intractable anthropocentrism, as I showed in The Secret Life of Stones — but the Veils also of even more fundamental primal pain and early experience. Our earliest experiences form, they create, our prejudices about Reality. So what would we see, what Reality would reveal itself, with those constraints lifted from our eyes? 

Whatever it is, it would necessarily be Truth, or truths, far beyond what we come up with enslaved as we are within the boundaries of concepts formed from our early, our profoundly influential, experiences. An example? What is the reality we experience before we have the one of duality when we come into Form as cells, as sperm and ovum? When we experience not just separation, from father and mother, but then duality in the coming together of the two at conception? At that point… 

DANCE OF THE SEVEN VEILS I  

Page xxviii

A Dance of the Seven Veils For, in these five books — Dance of the Seven Veils I, II, and III; Womb with a View; and Cells with a View — I will show how we can view even beyond that into what is the Nature of Reality. How? By peeling away not just the Veils of ego and vanity — especially as manifest in our universal and utterly intractable anthropocentrism, as I showed in The Secret Life of Stones — but the Veils also of even more fundamental primal pain and early experience. Our earliest experiences form, they create, our prejudices about Reality. So what would we see, what Reality would reveal itself, with those constraints lifted from our eyes? Whatever it is, it would necessarily be Truth, or truths, far beyond what we come up with enslaved as we are within the boundaries of concepts formed from our early, our profoundly influential, experiences. An example? What is the reality we experience before we have the one of duality when we come into Form as cells, as sperm and ovum? When we experience not just separation, from father and mother, but then duality in the coming together of the two at conception? At that point… DANCE OF THE SEVEN VEILS I Page xxviii

*DANCE OF THE SEVEN VEILS I* (2017) by M Adzema

Pref, p. xxviii

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The series I'm watching right now
#OnePiece episode #749
#PokemonHorizons
#Bleach episode #205
#Primal season 3
#StargateSG1
#OnePieceLiveAction Season 2

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Post image Post image Post image Post image

PS2 Classic Highlight - Primal
An epic fantasy, action - adventure, puzzle game originally released in 2003 for PlayStation 2, and currently available on the PlayStation Store.

For anyone seeking that nostalgia hit, I highly recommend this game

#PlayStation #Primal #PrimalPS2 #RetroGaming

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Season 3 Animatics (Part 1) | Genndy Tartakovsky's Primal | adult swim
Season 3 Animatics (Part 1) | Genndy Tartakovsky's Primal | adult swim YouTube video by Adult Swim

An animatic of season 3 of #genndytartakovsky 's #primal part 1!

#genndytartakovskyprimal #primalseason3 #adultswim #hbomax #toonami

youtu.be/avdH8VAMcP0?...

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DANCE OF THE SEVEN VEILS I  

Page xxviii  

…interventions into the processes of fertilization and conception going on, suddenly there are huge influences on its processes emanating from culture. We can only wonder, at this point, what kinds of beliefs and notions about the Universe will be had by those who come from such laboratory origins. 

However, that to the side, there is a great deal of uniformity in our experiences at and around conception. Whereas, there is far more variability and cultural input with each advance of time in gestation. Thus it is that we live in pretty similar physical worlds because we have rather the same experiences, periconceptionally. These events are part of our species makeup, our biologically constituted realities, as opposed to the bioculturally constituted realities, which are more variable and that come in with the influences of culture in later womb life and at birth. 

The result and aim of looking at our perceptual prejudices, from birth, womb, and conception, as will be done in the two books — Womb with a View and Cells with a View — is to arrive at something astounding. As I said in The Secret Life of Stones, the way to get a peek outside our biologically-constituted realities, the way to go ec-static, is to drop our vanity and self-congratulation at all levels. But now more.

DANCE OF THE SEVEN VEILS I Page xxviii …interventions into the processes of fertilization and conception going on, suddenly there are huge influences on its processes emanating from culture. We can only wonder, at this point, what kinds of beliefs and notions about the Universe will be had by those who come from such laboratory origins. However, that to the side, there is a great deal of uniformity in our experiences at and around conception. Whereas, there is far more variability and cultural input with each advance of time in gestation. Thus it is that we live in pretty similar physical worlds because we have rather the same experiences, periconceptionally. These events are part of our species makeup, our biologically constituted realities, as opposed to the bioculturally constituted realities, which are more variable and that come in with the influences of culture in later womb life and at birth. The result and aim of looking at our perceptual prejudices, from birth, womb, and conception, as will be done in the two books — Womb with a View and Cells with a View — is to arrive at something astounding. As I said in The Secret Life of Stones, the way to get a peek outside our biologically-constituted realities, the way to go ec-static, is to drop our vanity and self-congratulation at all levels. But now more.

*DANCE OF THE SEVEN VEILS I* (2017) by M. Adzema

Pref, p. xxviii

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The Cellular-Formular Veil 

So, prior to religious and spiritual beliefs we have seemingly indisputable assumptions impressed on us related to the existence of duality in the world and the existence of space as well as time. If we accept a mystical position that both of those are illusions, then it is my contention that we can look to our pre- and periconceptional experiences and events as to why we have such deep-rooted assumptions about reality, such “illusions” as to the existence of space and time. 

This is where — at the periconceptional experiences — we are looking more at the biologically constituted as opposed to the bioculturally constituted realities. For, while our experiences in the womb and at birth are much influenced by the mother’s experience in her culture and thus the way those events are construed in her culture, there is not a lot of influence from culture on the way the conception experiences unfold. 

Not a lot, but some. Certainly the health of the father and the mother go into the configuration of these primal events, somewhat, and that is affected by culture. Without doubt, the emotional and psychological characteristics of the parents, which are influenced by culture, influence their very cells, including their sperm and ova. And astonishingly, with test tube babies and other high-tech, modern… 

PREFACE. A DANCE OF THE SEVEN VEILS  

Page xxvii

The Cellular-Formular Veil So, prior to religious and spiritual beliefs we have seemingly indisputable assumptions impressed on us related to the existence of duality in the world and the existence of space as well as time. If we accept a mystical position that both of those are illusions, then it is my contention that we can look to our pre- and periconceptional experiences and events as to why we have such deep-rooted assumptions about reality, such “illusions” as to the existence of space and time. This is where — at the periconceptional experiences — we are looking more at the biologically constituted as opposed to the bioculturally constituted realities. For, while our experiences in the womb and at birth are much influenced by the mother’s experience in her culture and thus the way those events are construed in her culture, there is not a lot of influence from culture on the way the conception experiences unfold. Not a lot, but some. Certainly the health of the father and the mother go into the configuration of these primal events, somewhat, and that is affected by culture. Without doubt, the emotional and psychological characteristics of the parents, which are influenced by culture, influence their very cells, including their sperm and ova. And astonishingly, with test tube babies and other high-tech, modern… PREFACE. A DANCE OF THE SEVEN VEILS Page xxvii

*DANCE OF THE SEVEN VEILS I* (2017) by Michael Adzema

Pref, p. xxvii

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Post image

The Altar....
by #manelortega
#primal

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PREFACE. A DANCE OF THE SEVEN VEILS  

Page xxvii  

….elements of mythology periconceptionally, that is to say, emanating from the events around conception, while introduced here, are taken up in greater detail in the book following this one in the Series, to be titled, Cells with a View. 

Book Six, Cells with a View 

The book following Womb with a View in The Path of Ecstasy Series of books is to be Cells with a View. In it I will show how the events around conception, this time — the periconceptional experiences — configure even more of our biocultural matrix even prior to our “beliefs” about things outside the natural. It is my view that our very perception of Form reality is created there. You might say that is where we not just read the rules of the game we will be playing in life, we imprint them on all of what we will perceive ever after in life.

PREFACE. A DANCE OF THE SEVEN VEILS Page xxvii ….elements of mythology periconceptionally, that is to say, emanating from the events around conception, while introduced here, are taken up in greater detail in the book following this one in the Series, to be titled, Cells with a View. Book Six, Cells with a View The book following Womb with a View in The Path of Ecstasy Series of books is to be Cells with a View. In it I will show how the events around conception, this time — the periconceptional experiences — configure even more of our biocultural matrix even prior to our “beliefs” about things outside the natural. It is my view that our very perception of Form reality is created there. You might say that is where we not just read the rules of the game we will be playing in life, we imprint them on all of what we will perceive ever after in life.

*DANCE OF THE SEVEN VEILS I* (2017) by M. Adzema

Pref, p. xxvii

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DANCE OF THE SEVEN VEILS I  

Page xxvi  

Consistent with what I said there, my aim will be to show how by wiping away the distortive effects of biocultural experiences at birth, in the womb, and around conception, we might come closer to purer perception. This is how, indeed, we cleanse the doors of perception; that is, by clearing away the personal pain and pre- and perinatal trauma imbuing and slanting them, if not out and out creating them. 

In doing this clearing away of fear- and pain-laden prompts to our  perception and interpretations of it, we might approach that view ec- static, that cosmic overstanding that is normally denied us out of the fact  that we have such powerful determinants on our perception at the beginnings of our lives as the traumas prenatally and perinatally. 

So it is that in Book Five, Womb with a View, I continue the exploration of the Veils across our perception of clear Reality begun in The Secret Life of Stones and continued in these volumes, Dance of the Seven Veils I, II, and III. Specifically, I do this regarding the perceptional configurations arising from our experience in the womb. I touch as well upon some of those emanating from our experience of birth and the events around conception.

However, the elements of mythology surrounding birth are addressed already with thoroughness by Stanislav Grof, so I leave that to him, and I bring his insights forward with appropriate credit. And the

DANCE OF THE SEVEN VEILS I Page xxvi Consistent with what I said there, my aim will be to show how by wiping away the distortive effects of biocultural experiences at birth, in the womb, and around conception, we might come closer to purer perception. This is how, indeed, we cleanse the doors of perception; that is, by clearing away the personal pain and pre- and perinatal trauma imbuing and slanting them, if not out and out creating them. In doing this clearing away of fear- and pain-laden prompts to our perception and interpretations of it, we might approach that view ec- static, that cosmic overstanding that is normally denied us out of the fact that we have such powerful determinants on our perception at the beginnings of our lives as the traumas prenatally and perinatally. So it is that in Book Five, Womb with a View, I continue the exploration of the Veils across our perception of clear Reality begun in The Secret Life of Stones and continued in these volumes, Dance of the Seven Veils I, II, and III. Specifically, I do this regarding the perceptional configurations arising from our experience in the womb. I touch as well upon some of those emanating from our experience of birth and the events around conception. However, the elements of mythology surrounding birth are addressed already with thoroughness by Stanislav Grof, so I leave that to him, and I bring his insights forward with appropriate credit. And the

*DANCE OF THE SEVEN VEILS I* (2017) by Michael Adzema

Preface, p. xxvi

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15/ 🧵👇 💡📚💙 #D7V1 ☮️ #TruthWarriors#Preface 📖 #Primal ☮️ #Psychology #Anthropology #Identity #Consciousness

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DANCE OF THE SEVEN VEILS I  

Page xxvi  

…exists outside them. It seems to me there is a huge amount to be gained by an attempt at revealing what is Real, what exists, outside the peculiar human perspective on everything that is so taken up, for humans, with our births and prenatal experiences. 

The second aspect of my difference with the Grofians’ view lies in that those events that configure our species worldview go all the way back to conception, way before birth. So it is that in Womb with a View I bring out the mythological, psychological, and archetypal elements and relate them to underlying womb, and to some extent birth, events. Yet, in the book following this one in the Series, Cells with a View (expected publication, 2020), I do the same regarding cellular events, our experiences around conception, that is, periconceptionally. 

In both cases, wombular and cellular events, my view is that they overlay and configure the way we will view what might be considered truly non-Formular events or entities. What I will say is consistent with  what I have laid out in The Secret Life of Stones related to biologically- constituted realities, in particular the bioculturally-constituted realities.

DANCE OF THE SEVEN VEILS I Page xxvi …exists outside them. It seems to me there is a huge amount to be gained by an attempt at revealing what is Real, what exists, outside the peculiar human perspective on everything that is so taken up, for humans, with our births and prenatal experiences. The second aspect of my difference with the Grofians’ view lies in that those events that configure our species worldview go all the way back to conception, way before birth. So it is that in Womb with a View I bring out the mythological, psychological, and archetypal elements and relate them to underlying womb, and to some extent birth, events. Yet, in the book following this one in the Series, Cells with a View (expected publication, 2020), I do the same regarding cellular events, our experiences around conception, that is, periconceptionally. In both cases, wombular and cellular events, my view is that they overlay and configure the way we will view what might be considered truly non-Formular events or entities. What I will say is consistent with what I have laid out in The Secret Life of Stones related to biologically- constituted realities, in particular the bioculturally-constituted realities.

*DANCE OF THE SEVEN VEILS I* (2017) by Michael Adzema

Preface, p. xxvi

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14/ 🧵👇 💡📚💙 #D7V1 ☮️ #TruthWarriors#Preface 📖 #Primal ☮️ #Psychology #Anthropology #Identity #Patriarchy

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#primal #Primal3 #primalseason3 #GenndyTartakovskyprimal #MiraxSpear #SpearxMira #PrimalMira #PrimalSpear

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STREAMS DE ESTA SEMANA

L) #LecturaDeManga #WitchHatAtelier #JJKModulo #Centuria Y MÁS!
M) Manga #OnePiece Y Anime #Dorohedoro
X) #MarvelRivals
J) Descanso
V) #TierList JoJos
S) #OnePieceLA y #Primal T3
D) #MightyNein y #YouandIArePolarOpposites
🐺❤️

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The series I'm watching right now
#OnePiece episode #748
#PokemonHorizons
#Bleach episode #205
#Primal season 3
#StargateSG1
#OnePieceLiveAction Season 2

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The series I'm watching right now
#OnePiece episode #748
#PokemonHorizons
#Bleach episode #205
#JoJo'sBizarreAdventureSteelBallRun
#Primal season 3
#StargateSG1
#OnePieceLiveAction Season 2

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I'm watching #Primal 3x10 "An Echo of Eternity" trakt.tv/shows/primal...

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Looking at my TV queue, mentally sorting by "episodes remaining to finish" which would put #Primal at the top, followed by #Ghosts and #OnePiece ... but by this criteria I'll never resume my #Buffy / #Angel binge.

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I'm still really skeptical of this third season of #primal but they absolutely just successfully had two dinosaur pups looking at each other and silently agreeing with one another that they were going to be breaking mom's rules as soon as her back was turned

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A fan based animation featuring Blud and Becky Bang as a Cro magnon and a velociraptor facing off against the terrors of the Primal world.

#animation #primal

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Чихнула и получилось это.

#primal #Primal3 #primalseason3 #GenndyTartakovskyprimal #MiraxSpear #SpearxMira #PrimalMira #PrimalSpear

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